|
Oil on canvas, 36 x 30 inches
CR No. 1355
|
Bequest of Georgia O'Keeffe 1987.137
|
Twisting, ribbon-like pink forms spread out across a plain yellow composition like branches of a river, seen from above, twisting through a bare landscape.
CR No. 1355
Title (1999 Catalogue Raisonné)
It Was Yellow and Pink II
Source of title: backing inscription, Abiquiú Notebooks, Whitney Archive in 1969.
Alternate Title (1999 Catalogue Raisonné)
It Was Yellow & Pink
Source of title: Downtown Gallery Archive.
General Remarks
Whitney Archive in 1969 indicates, "Seen in N.Y. warehouse Georgia O'Keeffe coll. 3/23/70. Notes made." Titled It Was Yellow and Pink II by O'Keeffe on Abiquiú Notebooks photograph. See cat. no. 1960. (Source: Lynes, 1999)
Inscriptions
Stretcher: "Fall 58" (cardboard stretcher brace, graphite)
Backing: "It Was Yellow and Pink II / 1960 {crossed out} 1959 (crossing out and '1959' by Doris Bry, Label: printed, O'Keeffe (red-bordered), black ink) / Oil / 36 x 30 / canvas"(Label: printed, O'Keeffe (red-bordered), black ink)
(Source: Lynes, 1999)
Technique
Oil Painting
Materials
Oil on canvas
1999–2000
Georgia O'Keeffe Museum (as Georgia O'Keeffe: The Poetry of Things)
Dallas Museum of Art (as Georgia O'Keeffe: The Poetry of Things)
1993–1994
Hayward Gallery (as Georgia O'Keeffe: American & Modern)
Museo del Palacio de Bellas Artes (as Georgia O'Keeffe: American & Modern)
Yokohama Museum of Art (as Georgia O'Keeffe: American & Modern)
1998
2004–2005
Boise Art Museum (as Georgia O'Keeffe: Visions of the Sublime)
Hunter Museum of American Art (as Georgia O'Keeffe: Visions of the Sublime)
Eiteljorg Museum of American Indians and Western Art (as Georgia O'Keeffe: Visions of the Sublime)
Fresno Metropolitan Museum (as Georgia O'Keeffe: Visions of the Sublime)
University of Michigan, Museum of Art (as Georgia O'Keeffe: Visions of the Sublime)
2021–2022
Museo Nacional Thyssen-Bornemisza (as Georgia O'Keeffe: The Painter's Lens)
Centre Georges Pompidou (as Georgia O'Keeffe: The Painter's Lens)
Fondation Beyeler (as Georgia O'Keeffe: The Painter's Lens)
Estate of the artist, 1986 (Source: Lynes, 1999)
© Georgia O'Keeffe Museum
Version History
Core fields last updated 3/30/2026
Last verified by current collection Nov 12 2025
Source System ID
9447
| Date | Field | Changed From | Changed To |
|---|---|---|---|
| mm/dd/yyyy | Artist | Changed from data | Changed to data |
| mm/dd/yyyy | Main title | Changed from data | Changed to data |
| mm/dd/yyyy | Year | Changed from data | Changed to data |
| mm/dd/yyyy | Media | Changed from data | Changed to data |
| mm/dd/yyyy | Credit line | Changed from data | Changed to data |
| mm/dd/yyyy | Provenance | Changed from data | Changed to data |
DOWNLOAD IMAGE
Terms of use
The Georgia O'Keeffe Museum is dedicated to fostering access to its collections to inspire education, research, and creative engagement. Through Access O'Keeffe, the Museum’s digital catalogue raisonné project, we provide free tools for engaging with Georgia O'Keeffe’s full body of work. As part of this initiative, we encourage the download of low-resolution images for educational and fair use purposes.
Certain works by Georgia O'Keeffe are under the copyright of the Georgia O'Keeffe Museum, while others are managed by different rights holders. For commercial uses, users must seek authorization directly from the respective copyright holder.
By downloading and using these images, users agree to the following terms and conditions of use including the Museum’s reproduction guidelines. Users will play a vital role in preserving the integrity of the artist’s work while supporting broader public access.
Permitted Uses
Fair Use:
Images may be used under fair use principles for purposes such as:
- Educational: Use in teaching materials, presentations, and coursework
- Research and scholarship: Academic research articles, theses, dissertations and noncommercial publications
- Creative projects: Reference or inspiration for personal artwork, such as sketches, paintings, or digital art, if the works are not sold or used commercially.
Conditions of Use
By downloading images of artwork from Access O'Keeffe, users agree to adhere to the Museum’s reproduction guidelines for artwork by Georgia O'Keeffe. Images must not be altered, manipulated, or modified in any way that compromises their integrity or misrepresents the original work. Specifically, artworks may not be cropped, distorted, or subjected to the following alterations:
- Cropping
- Rotation, inversion, or changes to the original proportions
- Color adjustments
- Superimposition of text, graphics, or other elements
- Animation, cartooning, or other forms of reinterpretation
- Removal or modification of blemishes, inscriptions, or other original features
- Printing artwork on 3D materials, including fabrics
Unauthorized Uses
Unauthorized uses of Georgia O'Keeffe’s works include any applications that fall outside the scope of fair use, such as those intended for commercial profit generating purposes.
Examples include, but are not limited to:
- Publications and merchandise that are sold or generate income.
- Reproductions in marketing materials, advertisements, or promotional campaigns.
- Use in exhibitions or displays that charge admission fees.
For any such uses, prior written authorization must be obtained from the appropriate copyright holder noted in Access O'Keeffe.
For any commercial use, prior written permission is required from the copyright holder. Please contact the Digital Experience and Rights Manager at [email protected]
ADD TO LIST
COPY CITATION
Georgia O'Keeffe. It Was Yellow and Pink II, 1959. Access O’Keeffe, Georgia O’Keeffe Museum, https://access-ok.okeeffemuseum.org/object/9447.