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Pastel on paper, 21 1/2 x 43 1/4 inches
CR No. 1117
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Gift of The Burnett Foundation
1997.6.8
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Large horizontal pastel with silhouette of mountains in blue along the bottom. Sky above is large reddish U shape with the negative space of a half oval filled with blue covering a large portion of the sky.
CR No. 1117
Title (1999 Catalogue Raisonné)
Pedernal
Source of title: Whitney Archive, Downtown Gallery Archive, Abiquiú Notebooks, 1946 New York (An American Place) exhibition checklist.
General Remarks
Whitney Archive indicates, "Exam. at Amer. Place, March 1946....No signature." (Source: Lynes, 1999)
Technique
Pastel
Materials
Pastel on paper
1999–2000
Georgia O'Keeffe Museum (as Georgia O'Keeffe: The Poetry of Things)
Dallas Museum of Art (as Georgia O'Keeffe: The Poetry of Things)
1987–1989
National Gallery of Art (NGA) (as Georgia O'Keeffe)
Art Institute of Chicago (as Georgia O'Keeffe)
Dallas Museum of Art (as Georgia O'Keeffe)
Metropolitan Museum of Art (The Met) (as Georgia O'Keeffe)
Los Angeles County Museum of Art (LACMA) (as Georgia O'Keeffe)
2010–2011
2016–2017
Tate Modern (as Georgia O'Keeffe)
Kunstforum Wien (as Georgia O'Keeffe)
Art Gallery of Ontario (as Georgia O'Keeffe)
2014–2015
2008–2009
Georgia O'Keeffe Museum (as Marsden Hartley and the West: The Search for an American Modernism)
Amon Carter Museum of American Art (as Marsden Hartley and the West: The Search for an American Modernism)
San Jose Museum of Art (as Marsden Hartley and the West: The Search for an American Modernism)
1946
1997–1998
1998–1999
1962–1963
The Speed Art Museum (as The Stieglitz Circle)
Quincy Art Center (as The Stieglitz Circle)
Frye Art Museum (as The Stieglitz Circle)
University of Oregon (as The Stieglitz Circle)
Boise Art Museum (as The Stieglitz Circle)
Allentown Art Museum (as The Stieglitz Circle)
Gibbes Museum of Art (as The Stieglitz Circle)
None (as The Stieglitz Circle)
Public Library of Winston-Salem & Forsyth County (as The Stieglitz Circle)
Nasher Museum of Art at Duke University (as The Stieglitz Circle)
Memorial Art Gallery of the University of Rochester (MAG) (as The Stieglitz Circle)
Augustana College Art Museum (as The Stieglitz Circle)
Orange County Museum of Art (as The Stieglitz Circle)
2001–2002
Georgia O'Keeffe Museum (as O'Keeffe's O'Keeffes: The Artist's Collection)
Milwaukee Art Museum (as O'Keeffe's O'Keeffes: The Artist's Collection)
Louisiana Museum of Modern Art (as O'Keeffe's O'Keeffes: The Artist's Collection)
Estate of the artist, 1986; Private collection, 1987; The Burnett Foundation, Fort Worth, Tex., 1997 (Source: Georgia O'Keeffe Museum)
© Private Collection*
Version History
Core fields last updated 3/30/2026
Last verified by current collection
Source System ID
122
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Conservation
Information is from the most recently submitted report, please contact the current owner to verify updated details.Support: The support is a moderately thick, cream-colored, moderately textured paper.
Design Layers: The pastels are applied lightly, in single layers, generally in parallel, diagonal broad applications with minimal blending. The pastel has been applied with pressure to help ensure a strong, mechanical adhesion to the textured paper surface. Blues are stable ultramarine and relatively stable cobalt-Prussian blue. Whites are stable zinc oxide, and reds are stable lead minum. The pastels have moderate light sensitivity.
Surface Coating: The pastel is not fixed or coated.
Framing, Backing, and Hanging Hardware: The frame is a 2009 reproduction Georgia O'Keeffe/George Of-designed "clam shell" profile, metal leaf, micro-chamber, gasketed wood frame with reinforced secondary frame backing, pre-conditioned silica-gel polypropylene felt RH buffer, and activated charcoal-zeolite corrugated board VOC scavenger. The work is glazed with non-reflective, conductive Optium acrylic glazing.
The pastel is complete, and the media is generally secure when handled and traveled flat. Some transferred pastel media is scattered in aggregated areas. These tend to be large grains that are slightly embedded and relatively secure on the surface. The artist frequently applies the pastel media superficially across background regions, leaving low-relief areas of the support paper visible. These should not be confused with pinpoint losses. There are white chalk underdrawing and compositional sketch lines visible within the central blue background region. These were left intentionally by the artist in the finished work.
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COPY CITATION
Georgia O'Keeffe. Pedernal, 1945. Access O’Keeffe, Georgia O’Keeffe Museum, https://access-ok.okeeffemuseum.org/object/122.