- Abstract
- Correspondence from Maria Chabot to Frances Yost: Forty-two letters, two postcards and one brochure from Maria Chabot to Frances Palmer Yost, Jan. 17, 1969 – June 15, 1978. Letter, Jan. 17, 1969, by Chabot in Uxmal, Mexico gives a long description of her travels in the Yucatan with Paul and Gail Schmidt. Letter, Dec. 27, 1970, by Chabot in Albuquerque to Yost in State College, Pennsylvania, deals with various matters including Chabot's visit with the dying Winter Priest at San Juan Pueblo. Ten letters, two post cards and a brochure, Sept. 6 or 7, 1972 – July 10, 1973, concern Chabot's travels in Japan, Korea, and Taiwan. Three letters, July 13, 1975 – Nov. 6, 1976, written by Chabot from Oaxaca, La Chiripa & Puerto Escondido to Yost in Albuquerque concern her time there. Five letters, Jan. 26, 1977 – Feb. 14, 1977, written by Chabot in Puerto Escondido to Yost in Albuquerque and concern Chabot's first knowledge of and reaction to Yost's breast cancer. Six letters, Feb. 25, 1977 - March 22, 1977, written by Chabot in La Chiripa and Oaxaca to Yost in Albuquerque. Fourteen letters, Jan. 13 – June 15, 1978 written by Chabot from the Oaxaca area and addressed to Yost under her assumed name, Barbara Palmer, and one letter, August 21, 1978 written from Albuquerque after Chabot's return from Mexico.
DOWNLOAD IMAGE
Terms of use
The Georgia O'Keeffe Museum is dedicated to fostering access to its collections to inspire education, research, and creative engagement. Through Access O'Keeffe, the Museum’s digital catalogue raisonné project, we provide free tools for engaging with Georgia O'Keeffe’s full body of work. As part of this initiative, we encourage the download of low-resolution images for educational and fair use purposes.
Certain works by Georgia O'Keeffe are under the copyright of the Georgia O'Keeffe Museum, while others are managed by different rights holders. For commercial uses, users must seek authorization directly from the respective copyright holder.
By downloading and using these images, users agree to the following terms and conditions of use including the Museum’s reproduction guidelines. Users will play a vital role in preserving the integrity of the artist’s work while supporting broader public access.
Permitted Uses
Fair Use:
Images may be used under fair use principles for purposes such as:
- Educational: Use in teaching materials, presentations, and coursework
- Research and scholarship: Academic research articles, theses, dissertations and noncommercial publications
- Creative projects: Reference or inspiration for personal artwork, such as sketches, paintings, or digital art, if the works are not sold or used commercially.
Conditions of Use
By downloading images of artwork from Access O'Keeffe, users agree to adhere to the Museum’s reproduction guidelines for artwork by Georgia O'Keeffe. Images must not be altered, manipulated, or modified in any way that compromises their integrity or misrepresents the original work. Specifically, artworks may not be cropped, distorted, or subjected to the following alterations:
- Cropping
- Rotation, inversion, or changes to the original proportions
- Color adjustments
- Superimposition of text, graphics, or other elements
- Animation, cartooning, or other forms of reinterpretation
- Removal or modification of blemishes, inscriptions, or other original features
- Printing artwork on 3D materials, including fabrics
Unauthorized Uses
Unauthorized uses of Georgia O'Keeffe’s works include any applications that fall outside the scope of fair use, such as those intended for commercial profit generating purposes.
Examples include, but are not limited to:
- Publications and merchandise that are sold or generate income.
- Reproductions in marketing materials, advertisements, or promotional campaigns.
- Use in exhibitions or displays that charge admission fees.
For any such uses, prior written authorization must be obtained from the appropriate copyright holder noted in Access O'Keeffe.
For any commercial use, prior written permission is required from the copyright holder. Please contact the Digital Experience and Rights Manager at [email protected]
ADD TO LIST
COPY CITATION
Text here